Remember how last week I mentioned that this week I'd be grading my first Dolby Vision project?
I'm still grading it (and yes, this story is related to this week's Newsletter).
It's a remastering of a concert film that was delivered 5 years ago as 1080p. As I mentioned, it came back to get freshened up as a UHD Dolby Vision show (with a new ATMOS mix) for a streaming service. The concert will be 'Sunrised'Â (streaming-speak for Premiering, apparently) at the end of this summer.
It's been an intense few weeks, getting back to the UHD camera masters and recreating the work done on the first go-around - since editorial continued for a few weeks after I graded the full-length concert. Of course, this being my first personal experience with the HDR / Dolby Vision I underestimated my time requirement, by a few days. Much of that mis-estimation was me taking the time to get comfortable with the new tools and the new extended dynamic range and color gamut. And
deciding if I wanted to go fully color-managed using Resolve 17's new color managed setup? (I did).
Plus - as expected in a 5-year-old concert shot with 17 cameras - some of those cameras were locked-off consumer'ish, recording straight to Rec. 709 (and somewhat underexposed). So I also had to figure out how to integrate those cameras with the Panasonic V-Log footage (which looks fantastic).
Why is this important to readers of this Newsletter?
Well, I have one day left with my Flanders Scientific XM-311K mastering reference display before my flight leaves back to Orlando. I just started the 100-nit trim pass a few hours ago and I want to keep working so I have time to also do the 600-nit trims, as required by the streaming service.
This means - no new Newsletter today.
Instead, you have last week's Newsletter with this updated introduction.
If you missed last week's Newsletter, then keep reading! If you read last week's Newsletter, click the Archives link in the masthead to read an earlier Newsletter you may have missed.
Or - just go out for a walk, ride your mountain bike, or (if it's the end of the day) take an Epson salt bath. I hereby bequeath this reading time for any self-care routine you find re-energizing.
Because I can tell you this: Working in HDR is definitely re-energizing the colorist in me.
Happy Grading!
I'll see you next Sunday.