(video) A recent installment of the Filmlight series on YouTube. Good stuff.

I like the idea presented here: "Coach Tina Essmaker's interactive workbook provides five days of exercises to tap into your voice, purpose, community, and deepen your creative practice." The workbook can be downloaded or executed online.

(podcast) "Team Deakins sit down with JZ and dig deeply into the color science of it all. We talk LUTs, resolution, color space, pixels, workflow and lots more. He really knows his stuff!" (via Twain Richardson)

As you read through this analysis, you may be as surprised as I was at some of the numbers.

You've heard of MPEG. But do you know how they're organized, who controls them, and what are their plans for the future? You will - after clicking through and reading this article.

"If you're starting from scratch for coming from After Effects this post is packed with useful resources, free downloads and expert paid training."

If you're new to Resolve then you're likely to discover something new in this short roundup of tools for saving (and sharing) color grades.

(video) "In episode 12, [Frame.io] turns the cameras on themselves to show how the team took on their own technology and favorite tools to create their first ever series all while fully remote."

(webinar) This episode will feature the team from Mystery Box, whose content has given people a chance to see places and things literally in a whole new light: using UHD, 8K, HDR and high frame rate. Wed., June 24. Registration required.

Because related crafts can teach us something new: "What's most interesting is that he seldom, if ever, uses the actual global saturation slider. He has three or four different methods to get more subtle results than if he went crash, bang, wallop on the saturation slider."

Learn what an online editor and colorist thinks after spending a year working with the Blackmagic editor keyboard, full-time. Plus, his tips. Free, in front of the Membership wall.

(video) Learn how to use a custom ACES workflow to easily manage deliverables in different color spaces, and easily take your grade from SDR to HDR. Part 3 in this series.

(video) In this installment of The 10-Minute Grade, Cullen Kelly walks you through a few different techniques to quickly get shots balanced when time is of the essence.

"it’s now possible to perform the APFS to HFS+ conversion without all of the [complicated] steps, and that’s what this article will show you how to do."

"Fluorescent blue limits the peak brightness if you want a full colour display with balanced colour. It also means that device designers typically have to drive the blue channel as hard as possible to get the brightness, and that has a significant effect on lifetimes." This is a good read if you need a primer on the problem with the blue channel and OLEDs. It's not such a good read if you're hoping for the 'trilemma' breakthrough.

For my Windows users: "System Memory is usually the most stable component in a computer build but sometimes failing sticks can cause errors, crashes or issues with applications. You can run the Windows Memory Diagnostic (bottom) which occasionally will identify a memory error, but the PassMark MemTest86 software is far more effective and robust. This guide will walk you through each tool's purpose, how to initiate them, and then what to learn from the outputs."

The AMC Radeon Pro 5600M GPU option was recently added. How fast is it?

"We are going to look at a range of modern consumer GPUs from both NVIDIA and AMD in order to see how they perform in the latest version of Premiere Pro. In addition, there have been some recent update notes that mention improved multi-GPU performance so we will also be including a dual NVIDIA RTX 2080 Ti configuration to see if there is any reason to invest in dual video cards for Premiere Pro."